In the mid 90s, before you could just hop online and download just about any song you wanted at lightning speed, there was a service called 1-800 Music Now. As archaic as it may seem today, it was actually pretty cool to go steal your parents’ credit card and order CDs (that’s right, CDs) over the phone.
Okay, I was too much of a wuss to actually use my mom’s credit card. But I’m sure some kids did.
What I DID do was call regularly to listen to the audio previews of my favorite artists/songs. As ridiculous as it seems now, at the time it was the only way to hear those songs, unless of course you went out and bought them all. Or I suppose you could make a request at your favorite radio station and listen and wait all day.
Anyway, when Green Day’s Insomniac came out, I immediately called 1-800 Music Now to hear the clips from the album. Even though “Brain Stew” was already getting radio play, I wanted to hear what else the album had to offer, before begging my mom to take me to the music shop to buy it for me (and convincing her the parental advisory was no big deal).
If it wasn’t for this caveman iTunes service, I never would have found out about the rest of Green Day’s catalog. I had heard about their sophomore album, Kerplunk, from a friend, but I had no idea they had put anything out prior.

1,039 Smoothed Out Slappy hours is actually a compilation of a few EPs they did early on in their career plus some newly recorded tracks, released by the folks at LookOut! Records in 1990 (wow!).
It’s a whole different world of Green Day compared to the American Idiot style of today; Billie Joe Armstrong sounds about 100 years younger, and the music is much lighter, with not a lot of low-end. But if you’re a fan of raw pop-punk rock, your musical library is far from complete without this album.
Nearly every song on the album is about love, mainly the unrequited kind. However, Track #5 is actually titled “Green Day”, and details what it’s like to enjoy a “Green Day” (a day spent in a cloud of marijuana smoke).
Another interesting thing about this album is that it predates current drummer Tré Cool. During the 39/Smooth days, a man by the name of John Kiffmeyer was playing the drums, and Tré had yet to enter the equation. Kiffmeyer ultimately decided to make the genius move of quitting the band in favor of academic pursuits. Good call, dude.
If you’re not sold on this album by my endorsement alone, check out the tracks “Paper Lanterns” and “Going to Pasalacqua”. After hearing those two songs, if you still don’t think the album is worth your time, I don’t want to be your friend anymore.